Casiopea - Marble album
MARBLE is the thirty-eighth album by the jazz fusion group Casiopea, recorded and released in 2004. Casiopea are. Issei Noro – guitars. Minoru Mukaiya – keyboards. Yoshihiro Naruse – bass guitar, percussion on 3, 5, 7, programming on 5, 7. Supported. Akira Jimbo – drums, programming on 4. Sound produced – Casiopea. Recording and mixing engineer – Yuji Kuraishi. Mastering engineer – Shigeo Miyamoto. Assistant engineer – Shinichi Naitoh, Makoto Okawa. Manipulator and technician – Yasushi Horiuchi.
Marble (Casiopea album). 1. Album – Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places.
This album has an average beat per minute of 144 BPM (slowest/fastest tempos: 144/144 BPM). See its BPM profile at the bottom of the page. Album starts at BPM, ends at BPM (+0), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Casiopea.
blue highlight denotes track pick.
1. (00:25:05) Casiopea - Universe. 2. (00:04:20) Casiopea - Southern Breeze. 3. (00:04:36) Casiopea - Mawari-Michi.
Marble is a fusion music album recording by CASIOPEA released in 2004 on CD, LP/Vinyl and/or cassette. Geneon ENTERTAINMENT GNCL-1015 (Japan). Thanks to snobb for the updates.
They recorded their debut album Casiopea (1979) with guest appearances by American jazz musicians Randy Brecker, Michael Brecker, and David Sanborn. In 1980, Sasaki was replaced by Akira Jimbo
What is Marble (Casiopea album)? MARBLE is the thirty-eighth album by the jazz fusion group Casiopea, recorded and released in 2004.
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