Thomas L Clear - Historical Anthology of Orchestral Music (From 78's) Volume Two album
The Anthology of American Folk Music is a six-album compilation released in 1952 by Folkways Records (catalogue FP 251, FP 252, and FP 253), comprising eighty-four American folk, blues and country music recordings that were originally issued from 1927 to 1932. Experimental film maker Harry Smith compiled the music from his personal collection of 78 rpm records. The album is famous due to its role as a touchstone for the American folk music revival in the 1950s and 1960s
You can certainly hear that some songs were lifted from 78 RPM sources and that's a quality worth hearing (if nothing else to hear how much quieter production has gotten since the late 1920s). Well worth picking if you enjoy early 20th century American Folk music. Reply Notify me Helpful. referencing Harry Smith's Anthology Of American Folk Music Volume Two: Social Music, 2xLP, Comp, RE, Red, DOY626. does not have original liner notes.
The volume includes the development of Oriental, Medieval, and Renaissance music from the beginning to 1600.
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Selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic. The political, literary and musical influences evident in the 1987 opera Resurrection and in subsequent orchestral works come under scrutiny from John Warnaby. Davies's use of older dramatic forms and ritual is the focus of Michael Burden's examination of his music theatre.
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Artist: Various Album: Talking with the Blues - An Anthology Of Contemporary Blues Songs Fron The USA Genre: Blues Label: Taxim Records Released: 1992-2006 Quality: mp3, 256 kbps. The concept of TALKING WITH THE BLUES is based on a view of the various US states as blues regions. But there is much more that just those two places and to this day blues music stays committed to local styles. Moreover, many US states are endowed with a unique cultural identity grown out of the prevailing social, historical and ethnic realities. Reflections of these specific identities are also expressed in the blues. The infrastructure of the blues scene is not based upon the music industry's PR efforts but kept alive by the inherent qualities of the music and the profound dedication of blues lovers all over the country. Good blues does not have an expiration date. Blues is soulful, emotional, direct and intense.
|9-1||F. Stock conducts Chicago Symphony Orchestra Schumann: Symphony no 1 op 38 "Spring"|
|10-1||Ed. Morike conducts Symphony Orchestra Mendelssohn: Overture, Midsummer Nights Dream|
|10-2||Ed. Morike conducts Symphony Orchestra Wagner: Overture, Flying Dutchman|
|11-1||G. Pittaluga conducts Symphony Orchestra (unpub Victor test pressing) Pittaluga: Ballet Suite "Romeria de los Cornudos" (w. M. T. Estremera, soprano)The|
|12-1||Mengelberg conducts NY Philharmonic Schelling: Fantasy, "Victory Ball"Him|
|12-2||Schreker conducts Berlin PO Schreker: Little Suite for Chamber Orchestra|
|13-1||Coppola conducts Paris Conservatory Orchestra Chausson: Symphony in B flat op 20|
|14-1||Coppola: Scherzo Fantastique Monteux conducts Symphonie de Paris|
|14-2||Coppola conducts Symphonie de Paris Coppola: Interlude Dramatique|
|15-1||Robert Heger conducts Berlin SHimO Atterberg: Symphony no 4 in G minor op 14|
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Title: Historical Anthology of Orchestral Music (From 78's) Volume Two
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